Cover page:
DAYS OF MUSIC XXXVII octave SAN Tord
Banyeres de Mariola, 2016
1 i 8 May
Church of Santa Maria
FREE ENTRANCE
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XXXVII
DAYS OF MUSIC
The octave ST GEORGE
Banyeres de Mariola 2016
Sunday, 1 May
EXPRESSION ensemble of strings
Sunday, 8 May
OUINTET CUESTA DE VENT
Church of St. Mary of Mercy of Mariola
*.- Logo Parish of Santa Maria
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EXPRESSION ensemble of strings
Director, French Jordi Sanjuan
Sunday 1 May. Església de Santa María, 19:30 h
PROGRAM
I. Part
Edward Elgar (1857-1934)
*.- Serenade in E minor Op.20
I. pleasant Allegro
II. Larghetto
III. Allegretto
*.- Johann Sebastian Bach (1685-1750)
Piano Concerto in most BWV 1055
I. Allegro
II. Larghetto
III. Cheerful but not so much
*Piano: Francis Blanes
II Part
Richard Wagner (1813-1883)
*.- Siegfried idyll
Leos Janácek (1854-1928)
*.- Suite for strings
I. Moderate (Prelude)
II. Slowly (German)
III. Andante con moto (Saraband)
IV. Presto (Joke)
V. Slowly (Air)
WE. Andante
EXPRESSION ensemble of strings
Violins: Antonio Viñuales, Henry Philip Evil, Rebeca Maseda, Jorge Llamas,
David Otto, Christina Geraets
violas: Alberto Rodríguez, Sara Martinez
Cellos: Ivan Siso, Javi Morillas
Bass: Luis Arias
Francis Blanes, piano
George French, director
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PROGRAM NOTES
Each foothold four composers who present themselves in the program represent four different ways of thinking. Four ways with distant origins but with the common goal of translating that same beauty in the way that leads to art. Elgar's genius melodic dialogue with the ability contrapuntal Bach. The most mysterious and profound Wagner faced with the charm of Janácek singu¬lar.
EXPRESSION ensemble of strings
(Photographs of some of the components of enseble)
Pag.5
GEORGE FRENCH SANJUAN / musical director www.jordifrances.com
(Picture of Jorge Sanjuan French)
Degree in 2004 per la Zuyd Maastricht (Holland), Postgraduate towards contemporary repertoire at the Conservatorio della Svizzera Italiana Su'íssa and awarded in many international competitions as the steering WMC in Kerkrade 2005, for years he combined with percussion as a concert orchestra conducting which currently engaged. Very interested in contemporary art, has conducted the world premieres of more than 40 works and has worked with renowned composers such as Harrison Birtwistle, Philippe Hurel, Georg F. Haas, Peter Eótvós, Philippe Manoury, José Manuel López, Cesar Camarero, David Maslanka, among many others.
Its wide and heterogeneous formation directorial work includes specific cross, very diverse repertoire with masters specialists, For over a decade. He worked actively as student teachers: Kurt Masur, Peter Eótvós, Neeme Järvi, Paavo Järvi, Jorma Panula, Arturo Tamayo, Konrad von Abel, Georges Pehlivaner the, Yaron Traub, etc., in institutions like the Manhattan School of Music in New York, el citat Conservationists of Italian Switzerland to Su'íssa, the International Bartok Seminar in Hungary, International Academy d'la Jarvi Estonia, IRCAM to Paris, others.
In 2011 conducts the BBC Philharmonic (England) in the recording of the soundtrack of the series "The Real History of Britain" produced by the BBC itself ¡despite his youth, debuted with orchestras and groups as well as: Spanish Broadcasting Orchestra (2014), orchestra d'Extremadura (2014), JONDE which has been assistant director in 2012 i 2015, the JORCAM (Youth Orchestra of the Community of Madrid) with which director is frequently invited, Ensemble Intercontemporain (2014), Lúceme Festival Academy Orchestra
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(2014), Bulgarian State Opera with a full production of "Madame Butterfly" (2012), Saavaria Symphony Orchestra (Hungary), Symphony Currents (Argentina), Párnu City Orchestra (Estonia), Opera Orchestra of Dijon (Franca), among many others.
Among its recent and future engagements include a concert in the Musical Fortnight Donostiarra with I’ Far i Ensemble Sound music Luciano Berio; a tour with Ensemble 20-21 with music by Stravinsky and Schoenberg; concert as a guest conductor of the Ensemble Sound Space with music by Georg Friedrich Haas, the musical direction of the operetta "La del Manojo de Rosas" produced by the Philharmonic Society of Badajoz and musical director of the production of the opera "Brundibar" at the Teatro Real in Madrid in April 2016.
He was conductor of the Symphony Orchestra ATRIVM Ontinyent, Orchestra of the Polytechnic School of Alcoy and the Philharmonic Society of Altea among others. Today, George French is guest conductor to lead diverse repertoire with orchestras and ensembles, is conductor of the Philharmonic Beethoven Criptana (Real city) i of the Set So Extrem (Badajoz). He has worked as assistant director Lutz Kohler, Arturo Tamayo. José Ramón Encinar, and this season will assist the teacher Josep Pons in the production of "Götterdämmerung", Wagner at the Gran Teatre del Liceu in Barcelona.
It is also responsible for the musical project "Strengthening institutional conservatories in the region of Rabat" carried out in co-operation with the AECID • (Col • Spanish Agency for International Development Partnership), whereby courses taught regularly at the conservatories in the region of Rabat (Morocco) between 2008 i 2012.
He has taught percussion classes and courses conducted in various European Schools and Conservatoires as CNSM Lyon, Conservatory of Gran Canaria, Conservatory of Valencia, Conservatory of Navarra, etc. In 2006 LINK ensemble created together with Sixth Aparici, percussion ensemble devoted to contemporary music which works intensively teaching and artistic, highlighting the Spanish premiere of "Le Noir de l'Etoile", Gérard Grisey, "Difference in time", Philippe Hurel, “SteelWave” (show unreleased music steeldrums), etc., and which also founded International Composition Competition.
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FRANCIS BLANES / piano
(Picture of Francis Blanes)
Says his musical studies at the Conservatorio Elemental de Mariola. After the Conservatory of Music Ruperto Chapi Elda where he obtained the Bachelor degree and professional Commonwealth Scholarship Program for Live Music Commonwealth him giving concerts in different cities (Cook, Sax, Monfort, etc.) and an advanced course. Al 2007 access to the Conservatory of Music where he studied with the lilacs Islands Manuel Carra and Miguel Jorge Robaina Estelrich obtaining the title of Bachelor of Music specializing in piano. He finishes his studies with the highest rating, Honors for his recital and concert final. of 2012 receives classes in advanced Katarina Gurska Music Conservatory of Madrid with Professor Mariana Gurkova. Make courses with teachers Claudio Martinez menhir (2007 i 2009), Guillermo González (2007 i 2010), Gustavo Diaz Jerez (2009), Ramon Coll (2010) i Dina Parakhina (201 I). He recently finished his Master studies interpretation soloist in the Music Conservatory Katarina Gurska. In this master receives master's hand Eldar Nebolsin, Claudio Martínez Menher í Lucca Chiantore.
As a soloist, debuts in 2006 the Concert for Piano and Orchestra in D Major by Haydn with the orchestra of the Conservatory of Music Ruperto Chapi Elda. Col • labora with several bands and musical Society Mariola, Association Union Musical Bocairent, Union Musical Society and the Association Cañada artistic musical Work Jijona, emphasizing the recording of a CD with the latter in 2012. In 2015 • co-working with the Philharmonic Symphonic Band. In 201 I performed as a soloist playing the Concerto for Piano and Wind Orchestra by Stravinsky with the Wind Orchestra of the Conservatory of Music of lilacs Islands. In 201 I was invited by the Foundation Ribera de Mariola to do a concert in this town for charity. In 2012 i 2013 performs solo recitals as a pianist accompanist ¡, invited by the Music School Ad libitum Ontinyent. Des d'April 2013 The group Arete with which debuted in Bunyola (Mallorca) participating in the music festival in this town Bunyola musical Spring. Also part of the other chamber groups such as Duet and Ensemble Syntagma Mediterranean. Participates as accompanist for local groups such as the Children's Choir Foundation Bank, Choral and Musical Society Mariola Mariola, as well as the International Music Course in Alicante. Currently he combines his concert activities with teaching in different schools in the area where he lives.
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OUINTET CUESTA DE VENT
Sunday 8 May. Església de Santa María, 19:30 h
PROGRAM
I Part
*.- Divertimento in Bb n.3 M Martin i Soler (1754-1806)
Larghetto. Allegro
Andante sostenuto
Allegro Allegro quiet
*.- Divertimento KV 8 270 W A de Mozart (1756-1782)
Very happy
Andantino
Menuetto
Presto
*.- Divertimento in F major n.6 Martin i Soler (1754-1806)
Allegro
Slowly
Menuetto
Cotillon
II Part
*.- Children’s córner de Claude Debussy
Dr. The steps to Parnassus
The little Shepherd
Golliwogg’s Cake Walk
*.- Spanish Suite by Isaac Albéniz
Prelude
Tango
malagueña
Serenade
Capricho Catalan
zortzico
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PROGRAM NOTES
I Part
In the late eighteenth century, in the field of European opera imposed two masters: W. A. Mozart ¡Vicente Martín y Soler. Match the same period in Vienna as musicians of the court of Joseph II. Lorenzo da Ponte, both librettist, considered to Spanish “superior” the Geni i Salzburg, moreover, I’ premiere of "A Rare Thing" was more successful than "Le nozze di Figaro".
The six "Divertimentos" by Vicente Martín y Soler (all for the same instrumental combination), were probably written around 1795, when the composer was in London, just after his Russian period. The great English musician was used in these "Divertimenti", Some famous subjects of the famous opera "Una Cosa Rara" (1786), as well as other known operas of his legacy as "Burbuero II Cuore di buon" or "Larbore di Diana".
These "Divertimenti" we could consider an advertising claim in his time, because it was a quick presentation of their work and that could make their way in society theater so competitive that reigned in the late eighteenth century London.
The octets are designed to 2 oboès, 2 "Basset horns" ("Cornu basset" in les parts instrumentals), 2 tubal ("Cornu" in the parts), 2 fagots i serpentó (Bassoon 2 & Serpano in part). The transcription presented here is a classical wind quintet performed by Cuesta Quintet.
All these "Divertimenti" are structured in four movements with classical forms and Dumber, although impregnated of that genius displayed in all the melodies of the great musician Valencian.
The works are preserved in the British Library in a play instrumental parts that seem to have been written decision.
II Part
CHILDREN´S CORNER / Debussy (1862-1918)
When completed this series of Debussy piano pieces, Dubbed the "Children's Corner" (Children's corner), dedicated: "To my dear little Shu-Shu, with tender apology to his father as follows ".
Children's corner consists of six parts, but in this transcript present only three movements: "Degree of Doctor Parnassus". The title of the first beats of the Corner… the only thing that is not in English, but in Latin. In Debussy not occurred to him the title "Doctor Gradus ad Parnassum" no more, a whim; had good reason: There was a method to learn to play the piano named "Gradus ad Parnassum", a great Italian pianist, Muzio Clementi. The title of "Doctor",
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perhaps there's Debussy add it as a sign of respect for the great master
Clementi.
“The little shepherd” (The Little Shepherd). In a musical fable.
“Golliwogg’s cake-walk” (The cake-walk of GolHwogg). Golliwogg was the name of a
color doll that had invented an American who lived in England there
per 1900.
SPANISH SUITE / Isaac Albéniz (1860-1909)
One of the most important Spanish composers of the nineteenth century, especially for his works for piano, nationalist inspiration and modern language. He was born in Camprodón, Girona, and was a child prodigy on the piano. In 1893 was established in Paris, where he received lessons of Vincent lndy and came into contact with a group of European avant-garde composers including Claude Debussy and Gabriel Fauré were, that influenced decisively in its modern compositional technique.
His masterpiece is the piano suite Iberia (1906-1909), musically complex and virtuoso composition, Nice compound for more than two years. The rest of his work include pieces for piano rhapsody Spanish Spanish Suite.
QUINTET SLOPE
created in 1981 Valencia (Spain), Cuesta Quintet takes its name from the Valencian musician and composer Francisco Cuesta. Its members have been trained at the Conservatory "Joaquín Rodrigo" of Valencia and have extended studies in various European cities such as Vienna, Paris, London, Rotterdam i Freiburg. Arrange group activities with teaching at the Conservatory of Music in Valencia, or as members of the Orchestra of Valencia in their respective specialties.
Since its inception in Cuesta Quintet has participated in different events both nationally and internationally and have performed in various European countries, Asia and America.
Their repertoire is quite wide and varied in style, from classical to contemporary works; també solen incloure en les seves actuacions arranjaments de música espanyola d’autors tan típics com Albéniz o Falla. A mes han rescatat obres històriques de gran importància musical com els divertiments per a vent de Martín i Soler editats per Rivera edicions.
A causa de la seva creixent preocupació per la música contemporània espanyo¬la han participat en diferents cicles de música contemporània en els quals s’han estrenat obres dedicades al grup de compositors espanyols tan prestigiosos com
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David del Puerto, Amando Blanquer, José Antonio Orts, Félix Ibarrondo, Cano, Luis de Pablo… others. Han participat en festivals de música contemporània de tota Espanya i Europa.
El grup ha estat guardonat en diverses competicions internacionals, a mes algunes de les seves actuacions han estat retransmeses en directe per RNE, Canal 9, així com a diferents ràdios estrangeres. of 1995 col•labora amb la companyia discogràfica «Empire Master Sound», amb seu a Brussel•les, on té editats diversos compactes amb algunes de les obres mes emblemàtiques per a quintet de vent. També han gravat per a l’lnstitut Valencià de la Música, en la seua col•lecció Actual, un doble CD amb obres de compositors valencians. Actualment col•laboren amb el segell Cable musical.
QUINTET DE VENT CUESTA
José María Sáez, Flauta
Jesus Fuster, Oboè
José Cerveró, Clarinet
Salvador Sanchis, Fagot
María Rubio, Trompa
Back cover:
ORGANIZATION
Department of Culture of the City of Banyeres de Mariola
Brotherhood of St. George Mariola
SPONSOR
Cultura Arts
Diputación de Alicante
Banyeres de Mariola City Council
Brotherhood of St. George Mariola
COL•LABORA
Parish of Santa Maria
Societat Musical de Banyeres de Mariola
