COVER PAGE
XXXIX Musical Days of the Octavari de Sant Jordi
Banyeres de Mariola 2018
28 i 29 d'abril
Church of Santa Maria
FREE ENTRANCE
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XXXIX MUSICAL DAYS OF THE OCTAVARY OF SANT JORDI
Banyeres de Mariola 2018
Saturday, 28 d'abril, 20:00 h
MARINA ALTA ORCHESTRA
Director: Francesc Estevez
Miquel Pérez Perelló, lead guitar
Sunday, 29 d'abril, 19:30 h
THE G-BRASS PROJECT
presenta FOUR PIPES / Four tubes
Jose Chafer, Slawomir Cichor i Igol Cecocho, trumpets
Luke, organ
Church of Santa Maria Mariola
Free entrance
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Saturday, 28 d'abril. Església de Santa María. 20:00 h
MARINA ALTA ORCHESTRA
Director: Francesc Estevez
Concert sponsored by the Provincial Council of Alicante
PROGRAM
PART
Suite for orchestra "El Amor Brujo" by Manuel de Falla (1876-1946)
PART TWO
Granada (Serenade) d’lsaac Albéniz (1860-1909)
Asturias (Legend - Prelude) by Joaquín Rodrigo (1901-1999)
Concert d'Aranjuez by Joaquín Rodrigo (1901-1999)
Cheerful with spirit
Slowly
Cheerful gentle
Lead guitar: Miquel Pérez Perelló
Notes to the program
SUIT FOR ORCHESTRA «EL AMOR BRUJO» / MANUEL DE FALLA.
The ballet "El Amor Brujo" was composed by Manuel de Falla between November of 1914 i April 1915. Moreno Ballesteros will direct the premiere in Madrid on 15 d'April 1915. Falla later revised the work quite a bit. The first concert presentation of the final version was performed on 28 by marc de 1916 by the Madrid Philharmonic Orchestra, directed by Bartolomé Pérez-Casas.
As the work was initially, it was a failure, some time later the composer rewrote it, he combined his two scenes into one, he expanded his chamber ensemble to an orchestra and removed several songs and recitations. The new version was heard in concert on 1916, but had to wait for a stage production until 1925, when she was performed in Paris by the famous dancer Argentina. Falla extracted an orchestral suite from the ballet omitting the vocal numbers.
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Through his songs and folk dances, "Wizard love" reflects the mysticism of gypsy culture. Particularly Spanish is the way in which the "brute forces of an incorrigible nature", like the biographer of Falla, Burnett James, explains the symbolism of the Specter, they are crushed by "the firmness of the mind and the human spirit", which are represented by the love of Carmelo and Candela.
CONCERT D’ARANJUEZ / JOAQUÍN RODRIGO.
It is a musical composition for guitar and orchestra by the composer Valencia. Written in 1939 to Paris, is probably Rodrigo's best-known work, and his success established his composer's reputation as one of the leading figures of the postwar period.. It is considered the most performed Spanish musical work in the world.
Far from the tense atmosphere of Spain during the last stages of the Civil War and close to the European unrest before the Second World War, it is the first work written by Rodrigo for guitar and orchestra. Orchestration is unique: the sound of the guitar seldom confronts an entire orchestra. However, Mai guitar is diluted, but the sound of the instrument stands out at all times. Its world premiere took place on 9 of November 1940 at the Palau de la Música Catalana in Barcelona and its performer was guitarist Regino Sainz de la Maza, accompanied by the Barcelona Philharmonic Orchestra conducted by César Mendoza Lasalle.
The second movement, the best known of the three, it is marked by its slow passage and reserved melody, introduced by the English horn, with a soft guitar and string accompaniment. A feeling of reserved sorrow pervades the piece. The ornamentation is gradually added to the melody at the beginning. A trill of the tonic-off on the guitar creates the first seeds of tension in the fragment, grow and take root, but they periodically relax back into the melody. Possible culmination of an accumulation. This breaks again within the main melody, Passionate about much, expressed by the sequences with the accompaniment of woodwind instruments. The piece finally settles into a quiet guitar arpeggio, although the string sounds in the background rather than the final note of the guitar which resolves it, and in addition those that provide thematic material for another composition, "Aranjuez, Mon Amour ”by French singer Richard Antony. The third movement is based on a mixture of bars 2/4 i 3/4.
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FRANCESC ESTÉVEZ, DIRECTOR
Born in Ondara, He began his musical studies at the Conservatory of Music of Valencia, where he studied piano, Violin, Harmony, Counterpoint, Leak, Composition and Instrumentation, highlighting among his teachers Amando Blanquer.
He then studied Composition and Conducting at the Royal Conservatory of Music in Madrid with teachers Antón García Abril and Enrique García Asensio..
He studied conducting with Helmuth Rilling in Stuttgart, Miguel Ángel Gómez Martínez at the University of Alcalá de Henares with Karl Ósterreicher Richard Edlinger in Vienna.
In 1998 was selected by Harfort University (Connecticut) EE.UU, to study Conducting with Harold Faberman, Kennet Kiesler, Daniel Lewis i Jonh Corigliano.
In 1998 he founded the Marina Alta Orchestra (O. M. A.), grouping of which he is the titular director.
He has directed, among others, the Debrecen Philharmonic Orchestra (Hungary), Soloists from Prague (Czech Republic), Symphony Orchestra of the State of Michocán (Mexico), Empordà Chamber Orchestra and Camerata XXI (Resident orchestra of the Reus Concert Association).
In the year 2014 promotes the creation of the St. George Symphony Orchestra, resident orchestra of the concert season of the Association of Friends of Music of Alcoy, who made his presentation on the days 20 i 23 November at the Teatro Principal in Alicante and the Teatro Calderón in Alcoy respectively, with a Lyric Concert, Tribute to Alfredo Kraus on the 15th anniversary of the death of I.’ il•lustre tenor. He later achieved success as a musical director with productions of the Pagliacci operas in February 2015, Lelisir d’Amore in October 2017, The tavern of the port, Beethoven’s Ninth Symphony together with the Orfeó Valencia and the traditional New Year’s Concerts of 2017 i 2018.
He has recorded the CDs Ópera Recital with the tenor José Sempere, The Little Night Serenade K. V. 525 and KV Entertainment. 136, 137 i 138 of W. A. Mozart, Music for the Royal Fireworks and Aquatic Music by G. F. Trade, Composer of the Marina Alta I, Trumpet Concerts with Jaume Signes and Set Fons, Hymn of the Marina Alta by the composer Ferran Ferrando and Tribute to Joaquín Rodrigo with the guitarist Miquel Pérez.
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MIQUEL PÉREZ PERELLÓ, GUITAR
He began his studies in Dénia with Vicent Ballester and then in Alicante, where he finished his degree with Professor José Tomás. In Barcelona he perfected his musical knowledge by pursuing a postgraduate degree at the Luthier School of Musical Arts..
He has received lessons from the renowned masters of the guitar world, like now: Jose Tomas, Carles Trepat, Ma¬nuel Barrueco, David Russell, Hopkinson Smith, Ignacio Rodes, Manel Gonzalez…
Finalist of the Permanent Competition of Musical Youth in Sabadell, is selected by the Injuve circuit, and performs a series of concerts in many cities in Spain. He has given concerts at the Juan March Foundation, Madrid; Wintertour Auditors, Barcelona; Palace of Valencian Music, Valencia; Arniches Theater, Alicante; Museum of Fine Arts Sant Pió V Valencia; The Nights of the Oceanographic, Valencia; Sa Nostra Culture Room, Brick; Route of the Hermitages, Altea; Classical Music Festival, Teulada-Moraira; International Music Week, Dénia; Palau-Auditori, Canet d’en Berenguer, etc.
He also performs abroad in France (concert tour of Provence; Aix en Provence, Chateau of Saumane…), Europa Baronissi Festival (Italy), as well as in Germany, Switzerland and Korea where he participates in the festival "Wonju Tatto" (Jeju).
He has taught music history at Miguel Hernández University as part of the University of Experience project. Also in several conservatories (Vic, Altea, Castellon, Montcada, Cook…) among which stands out the Conservatory Superior of Music Joaquin Rodrigo, Valencia.
His discography covers a wide spectrum of a musician dedicated both to the interpretation of the classical repertoire and as reflected in his CD Tribute to Joaquín Rodrigo (Concert d’Aranjuez, 2017), such as the creation and composition of which Homer the Odyssey stands out, 2014, show that has received praise from critics and awarded in cultural competitions, being represented in the main Valencian auditoriums, highlighting the Palau de la Música in Valencia. Their CDs have been played on RNE and major radio stations.
Also his music works dedicated to Valencian poets like Marc Granell, V. A. Estellés and Miguel Hernández have been praised by music and literary critics and exhibited at the Biblioteca Valenciana.
He currently resides in Valencia, dedicated exclusively to artistic activity, performing concerts throughout the Spanish geography and abroad. He performs his concerts with a very valuable guitar called "La Campiña" built by the guitarist José Luís Romanillos.
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MARINA ALTA ORCHESTRA (OMA)
L´OMA, created in 1998 by conductor Francesc Estévez, was born with the desire to fill an important gap in the culture of the region of Marina Alta.
In order to understand the spirit of cultural cohesion of the formation, it must be said that the Marina Alta Orchestra has arranged with the MACMA (Marina Alta Cultural Association), entity composed of 33 municipalities that make up the region and that support the initiative to carry out this cultural project, which has not only allowed the diffusion of classical music in all the towns of the region, but it has democratized access and enjoyment.
As for his intense career, The OMA held the presentation concert on 22 August 1998 in the framework of the X International Music Week of Dénia with the performance of Mozart's opera, Bastien and Bastienne. To date he has performed more than 450 concerts by all the towns of the region, with its two formations: OMA (Marina Alta Orchestra) i JOMA (Young Orchestra of the Marina Alta), consolidating the formative and educational aspect of the JOMA as a group parallel to the OMA.
The fact of belonging to the county has not been a limitation in relation to the growth and artistic and professional performance of the Orquestra de la Marina Alta, which has performed at the Palau de la Música in Valencia, Auditorium of the Conservatory of Music of Palma de Mallorca, Ruperto Chapí d’Elda Theater, Joaquín Rodrigo de Sagunto Auditorium, Terol Cathedral, Dénia International Music Week, Music Cycle at the Agustines de Dénia, Music in the Summer of Xàbia, Pedreguer International Organ Festival, Easter concert series in the city of Teruel, Alcoy Concert and Opera Season.
This extensive tour has strengthened the soloists and composers of the region. In fact, the OMA has shared the stage with such prestigious soloists as: José Sempere, David Menendez, Carmen avivar, Isidro Anaya, Ismael Pons, Carlos Moreno, J. A. German, Vicens Prats, Thomas Indermühle, Wolgang Meyer, David Thomas, Joan Enric Lluna, Miquel Pérez, Boris Monoszon, Eriko Takezawa, Eric Aubier, Stephen Burns, Martin Rummel and Josep Vicent Giner.
Besides, in terms of music production, It should be noted that the OMA has recorded the CDs: Opera Recital with tenor José Sempere, La Petita Serenata Nocturna KV. 525 and KV Entertainment. 136, 137 i 138 of W. A. Mozart, Music for the Royal Fireworks and Aquatic Music by G. F. Trade, Composers of the Marina Alta I, with compositions by José Mayor, Dolores Sendra and Ferran Ferrando, Trumpet Concerts with Jaume Signes and Set Fonts and the Marina Alta Hymn by Ferran Ferrando.
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Sunday 29 d'abril. Església de Santa María. 19:30 h
THE G-BRASS PROJECT presenta FOUR PIPES/ Quatre tubs
Jose Chafer, trumpet (Higher Conservatory of Murcia)
Slawomir Cichor, trumpet (Arthur Rubinstein Philarmonic / Poland)
Igor Cecocho, trumpet (Academy of Music in Wrociaw / Poland)
Luke, organ (Tongeren / Belgium)
PROGRAM
Fanfare for ST. Edmundsbury by Benjamin Britten (1959)
Sonate de Coticen by G.R Telemann (1681 -1767)
Concert Piece Op. 52of Flor Peeters (1903-1986)
The Queen of the night’s Aria de W.A. Mozart (1756-1791)
Ave Maria of Mirostaw G ^ sieniec (1954)
Senza Freta de Kzysztof Grzeszczak (1965)
Now come the Gentile Savior BWV 659 by J. S. Bach (1685-1750)
Lux and Lapis by Kevin McKee (1980)
Cantinela de Krzysztof Grzeszczak (1965)
Percy E's Tocatta Festival. Fletcher (1879-1932)
Monochrome de Krzysztof Grzeszczak (1965)
JOSÉ CHÁFER MOMPÓ, TRUMPET
He currently holds the Trumpet Chair and is the head of the Metal Wind Department at the Conservatorio Superior de Murcia., at the same time he is the Artistic Director of CIMVO. He travels frequently to perform clinics and as a guest artist at various universities and festivals, including the US, China, Canada, Belgium, Swiss, Italy and Poland. He has performed as a soloist at the International Conference of the Trumpet Guild, l’IBBA or the Lodz International Trumpet Conference.
He has premiered numerous trumpet and piano concerts, trumpet and organ, trumpet soloist and trumpet ensemble, for band and 2 solo trumpets and for 4 trumpets and band, all of them written and dedicated to him in Europe and North America. Also different European premieres of works by Morales, Vizzutti, McKee and Stephenson among others.
He has performed as an orchestra musician with the Madrid Symphony Orchestra, Barcelona Symphony Orchestra, Murcia Symphony Orchestra and Chapí Theater Orchestra.
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As a chamber musician he is the founder of Quorum Brass and Collage Brass Ensemble. He has also toured with Barna Brass and Spanish Brass.
His teachers have been Manuel López, Miguel Sarrio, Ernest Aparisi, Vicente Campos, Luis Gonzalez, Eric Aubier i Spanish Brass. He recently recorded his first CD SPIRIT, next to the pianist Adolph Garci'a, and is finishing his second record.
José Cháfer is a Yamaha Artist and Warburton Artist.
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SLAWOMIR CICHOR, TRUMPET
The doctor. Slawomir Cichor trumpet soloist at the Arthur Rubinstein Philharmonic in Lodz, Poland. He is also an assistant professor at the Lodz Academy of Music.
His musical career commented on 1999 when he became the principal trumpet of the Plish Festival Orchestra.
Since 2000 al 2003 he performed as a guest trumpeter at the Warsaw Symphony and for the next eight years was co-principal trumpet of the Polish National Philharmonic in Warsaw.. During this time he recorded more than 20 compact discs with music by Mahler, Janacek, Lutoslawski, Penderecki, Szyma-nowski, Karlowicz and Tansman.
Cichor also plays the baroque trumpet and cooperates with many baroque ensembles. During the last 12 years has recorded 10 CDs with various music projects.
As a soloist and chamber musician he has won awards in several Polish competitions.
He also appears as a soloist with symphony orchestras and wind bands.
Since 2000 is working as an academic educator. His students have won awards, both in Poland and internationally.
In 2010 Slawomir Cichor received his PhD in Musical Arts.
IGOR CECOCHO, TRUMPET
He graduated from the Belarusian Academy of Music, where he studied with the Professor. N. Volkov. From 1979 a 1990 was a soloist with the Minsk Bolshoi Theater Symphony Orchestra and 1986 a 1990, 1’Belarus Academy of Music teacher.
He has won several trumpet competitions (including the Daugavpils International Competition in 1983).
From 1992 a 2006 was a soloist with the W Philharmonic Orchestra. Lutoslawski en Wroclaw. of 1990, Igor Cecocho leads the trumpet class at the Wroclaw Academy of Music, and also teaches at the Lodz Academy of Music.
He has performed as a soloist in Poland and abroad, playing modern and historical trumpets. He has performed with most Polish symphony and chamber orchestras (such as the Warsaw Symphony and the Polish Concerto) with masters like Jerzy Maksymiuk, Robert Satanowski, Reinhard Seehafer (Germany), Larry L¡-vingston (EE. UU.), Martin Hardy (Great Britain), Nikolai Dyadiura (Ukraine), Marek Pijarowski i Jerzy Salwarowski i altres.
His appearances in chamber music include co-operation with excellent musicians: Emma Kirkby, Crispían Steele-Perkins, Paul Esswood, Gillian Keith, Daniel Stabrawa and Andrzej Chorosinski.
Igor Cecocho has recorded many times for radio, television and CDs. He has presented numerous contemporary works around the world, He has given master classes and trained several winners in international competitions.
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LUKE, ORGAN
L'organist Luc Pute, nascut and Hasselt, Belgium, gives credibility to its international reputation for its successful performances at numerous organ festivals in Paris, Warsaw, Tokyo, Mexico, Chicago, Las Pinas (Manila) and the Flanders Festival. He received the Higher Diploma, called the “Award of Excellence” with great distinction (Chris Dubois teacher's class), at the Col • legi de Música «Lemmensinstituut» (and Leuven).
later, his artistic development was strongly influenced by his advanced studies (in organ and improvisation) with Professor Dr. Hans Haselbock at the Vienna School of Music.
In 1982, Luc Ponet was appointed Professor of Organ at the Lemmensinstituut (and Leuven) in a 1996 he was an organ guest professor at Concordia University in River Forest (Chicago, III).
In 1988 he was the titular organist of the monumental organ Le Picard of the Basilica of Tongeren, Belgium. In 1996 was "resident organist" of Beguinase in St. Truiden (orgue historic Ancion de 1653) in a 1999 also in Alden Biesen, at the European Cultural Center of the Flemish Community in Bilzen, Belgium, where he plays a fantastic Van Peteghem organ from 1788. All three locations are considered a World Heritage Site by UNESCO (United Nations Scientific and Cultural Education Organization).
In September of 2000, teacher Ponet was appointed Inspector of Art Education in the music academies / music schools and conservatories of Belgium.
BACK COVER
ORGANIZATION.
Banyeres de Mariola City Council
2018 Year of Legend. 13 and July
Brotherhood of St. George Mariola
SPONSOR
DEPUTY OF ALICANTE
Banyeres de Mariola City Council
Brotherhood of St. George Mariola
COL•LABORA
PARISH OF SANTA MARIA. Banyeres de Mariola
Banyeres de Mariola Musical Society
Captains Caliphs 2017 – 2018. García Francés family.
Old Moorish Captains 2017 – 2018.
Captains Maseros 2017 – 2018.
Captains Smugglers 2017 – 2018.
